Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
At McSweeney’s River Clegg makes a plea. “I get it. Things are scary right now. The environment is collapsing, democracy is eroding, and the worst pandemic in a century shows no signs of ending. It makes sense that you want a couple hours of escapism with the latest […]
At Vulture, Bilge Ebiri proflies actor Ke Huy Quan from Everything Everywhere All At Once (2022), Indiana Jones & The Temple of Doom (1984) and The Goonies (1985). “It didn’t take long to discover that Hollywood roles for Asian men were few and far between. He did a […]
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]
I heard industrial pa-chunking before I even entered the the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed […]
“While creatives are asking themselves tougher questions when it comes to gender representation in cartoons, they’re often the ones pushing for diversity onscreen at a very high personal cost.” More at Insider.
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The Cultural Gutter 