At Asian Movie Pulse, friend of the Gutter Earl Jackson writes about Cheng Wei-hao’s Marry My Dead Body (2023)! “For years lesbian feminist film scholarship entailed archeological detective work, most notably excavating the subtexts of Rebecca (Alfred Hitchcock 1940) and The Haunting (Robert Wise 1963). In peculiar reversal, […]
At Biff Bam Pop, the Gutter’s own Sachin Hingoo writes about Jason Yu’s new movie, Sleep (South Korea, 2023). “The function of sleep, one of the things that we all have in common, has been mined for horror since horror has existed. Whether it’s school janitors invading our […]
The Gutter’s own Carol Borden has some thoughts on Junta Yamaguchi and Makoto Ueda’s River. “There aren’t many science fiction movies, let alone time travel movies, that offer a chill, relaxing and tender vibe, but River very much does. It’s a lovely, charming and funny follow-up to Beyond […]
The Gutter’s own Sachin Hingoo watches Kenichi Ugana’s Visitors and has some thoughts! “here’s a ruthless efficiency to Visitors, not just because of its brief runtime. There’s no wasted time in setting up the premise, and if you’re in this thing for Troma-esque gore effects, you won’t have […]
The Gutter’s own Carol has some thoughts on Kenichi Ugana’s Visitors (The Complete Edition): “When you get right down to it, peering through those milky demonic eyes, passing through the fountains of viscous green vomit, enduring the eye violence, and then running straight into the embrace of chainsaw-bladed […]
The Gutter’s own Carol Borden watched Neil Ferron’s Fishmonger and has some thoughts: “Neil Ferron’s Fishmonger (USA / Ireland, 2023) has fun with folk and fairy tales. And it demonstrates a tremendous love of the gross. The film revels in the crude and the vulgar in its practical […]
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