The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday. “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak […]
Brutal as Hell features an editorial by Keri O’Shea about reviewers and the film industry, specifically reviewers and makers or horror film. But it is worthwhile reading for anyone interested in the relationship between pop culture writers and pop culture marketing and industry. (via @ruemorgue)
Manohla Dargis and A.O. Scott defend the slow and the boring film, giving as examples, Andrei Tarkovsky’s Solaris and Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives. Dargis sees them giving space for thought. Scott sees “protests against the deep…[as] mask[ing] another agenda, which is a […]
Science fiction author and feminist and queer critic, Joanna Russ has died. She was probably best know for her novel, The Female Man and her critical text, How To Suppress Women’s Writing. Feminist Science Fiction, Fantasy & Utopia has more about Russ and her work.
At the Vault of Horror, B-Sol ponders the age old question of payola–in the form of bloggers providing good reviews for screeners, tickets and just to be nice. There’s a good discussion in the comments as well.
Salon has an excellent piece on the death of stunts in Hollywood movies, exploring everything from the history of film stunts, the reliance on CG effects and new-fangled “intensified continuity” editing. The piece also mentions Michelle Yeoh, Tony Jaa, Zoe Bell and Yakima Canutt. (Thanks, Brian from Shelf […]
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The Cultural Gutter 