South China Morning Post looks at the life and work of Tyrus Wong, the uncredited, lead illustrator on Bambi (1942) and so much more. “Wong did not receive credit for his work on the 1942 Disney film even thoughhe was the lead production illustrator. He remained unrecognised for […]
Matt Stoller writes about the consequences of the new Disney and why it should be broken up. “The new Disney is more a private equity group than studio, collecting brands and using them to bargain aggressively with partners, suppliers and consumers. Imperial Disney is the result not of […]
Sasquatches, Godzilla-like sea monsters, alien invasions, vampire squid – it’s April switcheroo month once again at the Gutter and I’m about to take you down a rabbit hole of hoaxes and truly strange things inspired by one of my favorite podcasts, Popular Science’s The Weirdest Thing I Learned […]
Join our friends at Pet Cinematary podcast as they discuss, The Richest Cat In The World (1986)! “Leo the cat inherits 5 million dollars, and some people will stop at nothing to get their hands on it. (Well, except, you know, taking care of the cat and being […]
“Why is it that I can easily remember the faces and voices of female cartoon villains, but if asked about female cartoon heroes, all I can remember is the clothes?” More on cartoon villainesses from Sarah Gailey at Tor.com. (Thanks, Adele!)
In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and […]
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The Cultural Gutter 