At the New Yorker, Christine Smallwood looks at Dorothy B. Hughes’ “forgotten Noir,” The Expendable Man (1963). “The creation of difference itself was her subject. Her books were widely praised for their atmospheres of fear and suspense, and criticized when they reached, as the New York Times said […]
At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.
Christine Smallwood writes about Dorothy B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never […]
At The LA Review of Books, Sarah Weinman writes about fine, subtle and underappreciated noir writer, Dorothy B. Hughes. “In a Lonely Place…blasted my mind open to new ways of reading. I wasn’t only enjoying the story and getting creeped out by the wholly unreliable narrator, Dix Steele, […]
At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel.
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The Cultural Gutter 