At The Freesound Blog, Craig Smith writes about preserving sound effects from the Sunset Editor Sound Effects Library at the University of Southern California. “Sunset Editorial had a low-key history in Hollywood. Not a lot is known about them. This is because their credits in films were usually […]
“Seriously, go back and watch The Lost Boys. The only word in that whole movie was ‘Michael.’ All 114 of them.“
The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept […]
At Vashi Visuals, Vashi discusses Margaret Sixel’s editing and George Miller’s editing choices for Mad Max: Fury Road. “One of the many reasons Mad Max: Fury Road is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the […]
The AV Club shares a recreation of the original version of Jim Henson and Frank Oz’s The Dark Crystal.
At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.
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The Cultural Gutter 