At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
“I had a chat with Kathe [Koja]…about the unexplored horror elements in Wuthering Heights, the legacy of Mary Shelley’s Frankenstein, and the trailblazing work of Shirley Jackson, particularly The Haunting of Hill House. Enjoy this in-depth exploration of the legacies of badass women in horror with someone who should need no introduction in that […]
“[T]he mainstreaming of Jane Eyre as a vanilla romance, or even as an exploration of a woman’s pure, uncompromising, and uncomplicated (and religious! and feminist!) integrity, says all kinds of things about our inability to speak honestly about violence and sex.” More on Jane Eyre, Wuthering Heights, consent, sex […]
There were not three Brontë Sisters, but four. Only Linda knew the future we all face.
Paterson James found hope in the casting of James Howson’s casting as Heathcliff in Andrea Arnold’s Wuthering Heights, revealing “a hidden history” and “reflect[ing] black presence in the UK throughout the nation’s history.”
It’s that time of year when writers list the year’s best things. This year, some people are listing the decade’s best. And, oh, my temples ache because if there’s someone who manages to read every comic every year for a decade, let alone every comic setting fans a-twitter, […]
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The Cultural Gutter 