At the Public Medievalist, Asa Mittman writes about race, racism and the medieval narrative that inform The Last Jedi. “In the final act of the film, the Resistance (our heroes) have fled the First Order’s mighty army. They hole up in a cave, behind a massive wall, with […]
At the Guardian, Sarah Churchwell writes about fiction and fascism. “These parallels between fictional pasts and our political present may seem eerie: they aren’t. There is nothing surprising about people trying to replicate the oldest models of power.”
At the Atlantic, Sophie Gilbert has a piece on Dr. Seuss’ anti-Fascist cartoons and their complicated legacy.
The Gutter’s own Carol was invited back on the Projection Booth (again!) to discuss Hard To Be A God (2013) and Hard To Be A God (1989), along with the 1963 novel by Boris and Arkady Strugatsky.
Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.”
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)
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