At Esquire, Simon Abrams shares an oral history of RoboCop (1987): “A little more than 25 years ago, Orion Pictures released RoboCop, a grimly hysterical, hyper-violent satire masquerading as an action film. And despite spawning two sequels, a television series, some anime, and now a remake, the film’s […]
To me, the films made during the decline and fall of Rajesh Khanna, India’s first movie hero to cause mass hysteria on an Elvis level, are far more interesting to watch than those from his reign as the throb of hearts and other parts. His peak straddles Hindi […]
At Film Companion, the Gutter’s own Beth writes about the snake ladies, monkey midwives, anipals (animal friends), Mithun Chakraborty and the many wonders of Indian B-movies. “You may know exactly what is going to happen, but you can rarely predict how.”
The Gutter’s own Beth Watkins reviews Aseem Chhabra’s Shashi Kapoor: The Householder, The Star for Indian Express. “Of all the Hindi film stars from the 1960s to 1980s, how could people forget Shashi Kapoor? He did everything. He was a major mainstream hero and a stalwart of multi-starrers, […]
The Vulture has a profile of and interview with comics creator Louise Simonson. Though Comics Beat notes that Simonson’s name was not included in the credits for X-Men: Apocalypse as creator of the film’s villain, Apocalypse.
At RogerEbert.com’s “Balder & Dash,” Angelica Jade Bastien writes about the complexity of Joan Crawford, her career and her image. “The image I hold of Crawford is one crafted from her various roles and interviews that have far more complexity than Mommie Dearest and her current legacy do. […]
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