At RogerEbert.com, friend of the Gutter Jessica Ritchey writes about “cocaine noir.” “Between the winding down of the first neo-noir cycle popularized by New Hollywood titles like Chinatown and The Long Goodbye, and before the rise of the erotic thriller as a recognizable genre with entries like Fatal […]
At Lioness, friend of the Gutter Kerry Gately Fristoe suggests Classic Hollywood films featuring great female characters!
At the Bite, BJ Colangelo writes about Dracula’s Daughter (1936). “One year after the success of The Bride of Frankenstein, Universal Pictures tried their hand again with another femme facing monster movie sequel, Dracula’s Daughter. Unlike The Bride, Countess Marya Zaleska (Gloria Holden) is a legitimate leading performance […]
At Roger Ebert.com, David Moses writes about Apollo Creed. “[Rocky] was never truly an underdog—that is the fantasy of the Rocky movies, a series that plays in a vacuum breathing off the air tube of white victimhood, while shutting out real world complications and well … facts. Facts […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
At RogerEbert.com, Scout Tafoya writes on the inimitable Nicolas Cage. “There are some actors we watch because we want to see the result of months of internal calculus as they’ve wedged themselves into a new shape; a new person that could only have resulted from this actor taking […]