The unlikeliest story of the 2022 Toronto International Film Festival – more than Taylor Swift or Harry Styles or the presence of any celebrity – is undoubtedly the path Vera Drew’s The People’s Joker has taken to instant notoriety. The recontextualizing of the events in Todd Phillips’ Joker […]
At UnHerd, Dorian Lynskey writes about villains, pop psychology, backstory and corporate storytelling. “What Lumet and Chayefsky were really getting at with their rubber-ducky quip was the pretence that explaining everything is akin to psychological veracity. We are all shaped by our experiences, good and bad, but rarely […]
Johnny Donaldson writes about some issues with high profile people in horror including filmmaker Adam Donaghey and Joe Bob Briggs. “Horror has a problem. It has a problem with gatekeeping, it has a problem with leadership, and it has a problem with access. And it has a problem […]
Libba Bray writes about the process of turning her novel, Beauty Queens, which re-imagined Lord of the Flies among teen beauty contestants, into a film. “But try, if you will, to imagine me with lasers coming out of my eyes while my internal organs became as the fires […]
Wired profiles the amazing Lexi Alexander: ‘“In martial arts, for every attack there is a counter you can throw,” she says. “Somebody traps you, you can throw a hook. But there is no counter for bias” in the entertainment business. “You cannot be super nice. You cannot be […]
At the AV Club, Katie Rife writes about George Romero’s impact on filmmaking. “But to merely call Romero the father of the modern zombie, as immense of a contribution as that is, is to underestimate his influence. In fact, Romero himself would tell any interviewer who asked throughout […]