At the Verge, Adi Robertson writes about Vera Drew’s The People’s Joker (2022) and copyright law. “I’m not sure exactly how long a copyright term should be to balance artists’ welfare with a cultural commons. I’m not sure exactly what a clearer, more generous fair use system should […]
“Filmmakers Saul Williams and Anisia Uzeyman discuss honoring and following your instincts, changing mediums, and overcoming massive obstacles” creating the AfroFuturist musical Neptune Frost (Rwanda/USA, 2021). Read it here.
“While the top of the charts has been oligopolized, the bottom remains a vibrant anarchy. There are weird books and funky movies and bangers from across the sea. Two of the most interesting video games of the past decade put you in the role of an immigration officer and an […]
Film School Rejects has a groovy video essay by Patrick Willems about Sam Raimi and horror comedies. “Raimi’s ‘funhouse gauntlet’ approach to horror comedy ultimately relies on a varied bag of tricks, from exaggeration and escalation to seeing how much slapstick punishment Evil Dead star Bruce Campbell is able […]
Subtitled interview with filmmaker Johnnie To at Art & Piece magazine. “To talks about what informs his filmmaking, the influence of Akira Kurosawa, comparisons with Takeshi Kitano, his love of widescreen and film, his relationship with fellow director Ringo Lam, and his latest project Septet: The Story of […]
At Smithsonian Magazine, Fritzi Kramer writes about the importance of recovering lost silent films. Read it here. “These lost films have a resonance beyond film history. They might offer historians an opportunity to see historical figures like Sir Arthur Conan Doyle or Teddy Roosevelt. They might feature real […]
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The Cultural Gutter 