The Gutter’s own Carol Borden did some things in 2025
At Monstrous Industry, the Gutter’s own Carol lists some of her favorite pieces and doings from 2025. See them here.
At Monstrous Industry, the Gutter’s own Carol lists some of her favorite pieces and doings from 2025. See them here.
Hitchcock gets a lot of credit for his mystery and suspense films, rightfully so, but sometimes that credit goes as far as erasing the writers who came up with the mysteries, twists, dark jokes, thrills and stories Hitchcock built his films on. Hitchcock himself gave credit where it was due. He put writers’ names on screen for everyone to see. But if film history has taught us anything, it’s that credits, dedications and acknowledgments are not enough to keep women both trans and cis, genderqueer and nonbinary people from disappearing from memory and history.
Our friends at the Projection Booth watch Alucarda, la hija de las tiniebla (1977)! “Shocktober 2025 spirals into demonic delirium with Juan López Moctezuma’s Alucarda (1977). This feverish blast of Mexican Gothic horror follows Justine (Susana Kamini), a sheltered orphan who finds herself drawn to the wild, otherworldly […]
At Fantastic Fest this year, I was not only fortunate enough to receive accreditation so I could see movies and report back, but I was also lucky enough to see four very different films that I might not see otherwise. I am back now, my fedora with the […]
The Gutters own Carol Borden finishes up Fantastic Fest 2025 with Taratoa Stappard’s Mārama. In 1859, an orphaned Māori woman, Mary Stevens (Ariāna Osborne) has traveled from New Zealand to Yorkshire, England to meet a man. She has received a letter from a Mr. Anthony Boyd, who claims […]
The Gutter’s own Carol Borden really enjoyed the campy, lo-fi body horror of The Cramps: A Period Piece at Fantastic Fest. Here are some quick thoughts. (There are more thoughts on it at Monstrous Industry): Brooke H. Cellars’ The Cramps: A Period Piece (USA, 2025) is a period […]