CG Round-Up
Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”
RIP, Massimo Vignelli
Designer Massimo Vignelli has died. Fast Company Design, The Smithsonian Magazine and The New York Times have obituaries. The Verge shares a gallery of his work from the New York subway system map to Bloomingdale’s bags to American Airlines’ logo. Here Vignelli talks about design and his career.
Ushering In A New Regime: Johnnie To, Crime Films and Dissent
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has […]
“Deadly Art of Survival”
The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation […]
“America, Be Seated!”
The Smithsonian Magazine‘s Vicky Gan looks at “The Story Behind the Failed Minstrel Show at the 1964 World’s Fair.” “Remarkably, the musical received support from the NAACP. The organization, understandably turned off by the minstrel show label, was critical of the production at first, but after seeing a […]
Untouchable Fist: Hong Kong Cinema, Censorship and Me
Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. ~~~ I don’t remember the first kung fu movie I ever watched. I am terrible […]
The Cultural Gutter 