Jim Emerson ponders what he finds good and bad in Django Unchained and a lot of the good is Christoph Waltz: “Quentin Tarantino has found his actor in Christoph Waltz — someone who can speak Tarantinian fluently and still make it his own.” (via Roger Ebert)
Jelani Cobb considers Django Unchained and history at The New Yorker. “Tarantino’s attempt to craft a hero who stands apart from the other men—black and white—of his time is not a riff on history, it’s a riff on the mythology we’ve mistaken for history. Were the film aware […]
The New York Times profiles Frank Serpico: “Pacino played Serpico better than I did.” (via Andrew Nette)
“[It] occurred to me that this investigation of mine wasn’t a detective novel. It was a ghost story.” In 1985, Vanessa Veselka escaped a terrifying trucker who probably was Robert Ben Rhoades, the Truck Stop Killer and, years later, tries to understand her experience and learn more about […]
Tanya Steele watches Lincoln and Django Unchained back to back. “I needed to get a glimpse of what slavery was like in the imagination of white men.” (Thanks, Mike White!)
At Vanity Fair, Ned Zeman explores the history of The Blues Brothers. “It is October 1979, and The Numbers are not to [Lew] Wasserman’s satisfaction. The culprit is Universal’s big-ticket production The Blues Brothers, a movie that pretty much defies logic and description. Some call it a musical; […]
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The Cultural Gutter 