It’s festival season and I was fortunate enough to receive credentials for this year’s Fantastic Fest! Who knows why but I’m going to do my best to engage with the art and write some thoughtful reflections on what I see. Even though I am attending remotely, I’m going […]
At Monstrous Industry, the Gutter’s own Carol Borden has some thoughts about Mary Dauterman’s Booger: “Grief has long been a good subject for horror. And it’s been a prominent vein in horror in the last decade or so. Some of the best films where grief is central are […]
I have long wanted an ancestral portrait painted in a German Expressionist style hanging in my entry when I greet weary travelers seeking shelter from a ferocious storm. They would evince surprise at the unnerving resemblance between that sinister visage and my own features or perhaps those of […]
The Gutter’s own Carol has some thoughts on 4 horror movies that screened at this year’s Overlook Film Festival in New Orleans! “This year I was fortunate enough to attend–remotely–the 2024 Overlook Film Festival. I would have loved to attend a horror film festival in New Orleans. I […]
The Gutter’s own Carol Borden was fortunate to be attending this year’s Overlook Film Festival remotely and will be sharing initial thoughts on the films they see. First up is Ariane Louis-Seize’s Humanist Vampire Seeking Consenting Suicidal Person / Vampire humaniste cherche suicidaire consentant (Canada, 2023). CW: Suicide […]
As part of Biff Bam Pop‘s annual 31 Days of Horror, the Gutter’s own Carol Borden writes about Cindy Sherman’s first and only film, the underappreciated genre-mixing, Office Killer (1997). “Though she’s not often thought of as a horror actor, let alone a scream queen, Carol Kane has […]
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