At Asian Movie Pulse, friend of the Gutter Earl Jackson writes about Cheng Wei-hao’s Marry My Dead Body (2023)! “For years lesbian feminist film scholarship entailed archeological detective work, most notably excavating the subtexts of Rebecca (Alfred Hitchcock 1940) and The Haunting (Robert Wise 1963). In peculiar reversal, […]
Pull on your good lounging pants, hang that lanyard around your neck, and get yourself a latte, because I was lucky enough to go to this year’s Fantastic Fest with my (remote) press credentials and I am taking you with me. Well, I am taking you with me […]
The Gutter’s own Sachin Hingoo watches Kenichi Ugana’s Visitors and has some thoughts! “here’s a ruthless efficiency to Visitors, not just because of its brief runtime. There’s no wasted time in setting up the premise, and if you’re in this thing for Troma-esque gore effects, you won’t have […]
The Gutter’s own Carol has some thoughts on Kenichi Ugana’s Visitors (The Complete Edition): “When you get right down to it, peering through those milky demonic eyes, passing through the fountains of viscous green vomit, enduring the eye violence, and then running straight into the embrace of chainsaw-bladed […]
I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
Film School Rejects has a groovy video essay by Patrick Willems about Sam Raimi and horror comedies. “Raimi’s ‘funhouse gauntlet’ approach to horror comedy ultimately relies on a varied bag of tricks, from exaggeration and escalation to seeing how much slapstick punishment Evil Dead star Bruce Campbell is able […]
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The Cultural Gutter 