Johnny Donaldson writes about some issues with high profile people in horror including filmmaker Adam Donaghey and Joe Bob Briggs. “Horror has a problem. It has a problem with gatekeeping, it has a problem with leadership, and it has a problem with access. And it has a problem […]
At the Vintagent, Paul D’Orléans writes about the history of one-piece utility suits from boilersuits to Catwoman and Girl On A Motorcycle (1968). “The story of the ‘boilersuit’ and its (super)heroic descendants is a curious tale; a purely functional clothing item historically laden with a mix of Utopian […]
David Bordwell writes about Shaw Brothers Studios particular use of the widescreen format in film. “The Shawscope blazon opens onto a world of one-armed swordfighters, beautiful woman warriors, and kung-fu masters with very long white eyebrows. Without denying the peculiar pleasures of these sagas, we can peer behind […]
Libba Bray writes about the process of turning her novel, Beauty Queens, which re-imagined Lord of the Flies among teen beauty contestants, into a film. “But try, if you will, to imagine me with lasers coming out of my eyes while my internal organs became as the fires […]
Wired profiles the amazing Lexi Alexander: ‘“In martial arts, for every attack there is a counter you can throw,” she says. “Somebody traps you, you can throw a hook. But there is no counter for bias” in the entertainment business. “You cannot be super nice. You cannot be […]
At the AV Club, Katie Rife writes about George Romero’s impact on filmmaking. “But to merely call Romero the father of the modern zombie, as immense of a contribution as that is, is to underestimate his influence. In fact, Romero himself would tell any interviewer who asked throughout […]
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