At Esquire, Simon Abrams shares an oral history of RoboCop (1987): “A little more than 25 years ago, Orion Pictures released RoboCop, a grimly hysterical, hyper-violent satire masquerading as an action film. And despite spawning two sequels, a television series, some anime, and now a remake, the film’s […]
The Vulture has a profile of and interview with comics creator Louise Simonson. Though Comics Beat notes that Simonson’s name was not included in the credits for X-Men: Apocalypse as creator of the film’s villain, Apocalypse.
Artist Agnetha Dyck places broken objects in beehives for bees to mend. “Her honeycomb covered collection exhibits a range of items including Edwardian figurines, helmets, shoes and sports equipment that look as though they ought to be sitting within an old curiosity shop.”
Priceonomics has an interview with Susan Kare, who has spent her career designing icons for graphic computer interfaces and the first proportionally spaced font for Apple. “For many, Susan Kare’s icons were a first taste of human-computer interaction: they were approachable, friendly, and simple, much like the designer […]
The Gutter’s own Carol was invited back on the Projection Booth (again!) to discuss Hard To Be A God (2013) and Hard To Be A God (1989), along with the 1963 novel by Boris and Arkady Strugatsky.
At Okay Africa, Alyssa Klein interviews Laolu Senbanjo about working on Beyoncé’s “Lemonade.” “It was so emotional. It was powerful, mind-blowing. Being someone of her power, status, speaking up for women, speaking up for Black Lives Matter, empowerment. To be part of that… she has an amazing vision. […]
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