Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
Conor Mahood reads the Grimm’s fairy tale, “Hans in Luck” and you can listen to it here.
This year I went to the Toronto International Film Festival as an accredited cub reporter for the Soldier of Cinema website. By “went” I mean that I watched 16 films as part of the digital festival. You can read all my pieces here. I was most excited about […]
The Gutter’s own Carol wrote for a different site at the Toronto International Film Festival. Read her reviews of 14 films here. And make sure to check out reviews, incoming filmmaker interviews with Ritwik Pareek (Dug Dug), Arsalan Amiri (Zalava) and more ongoing coverage from friend of the […]
The line up for this year’s Midnight Madness program at the Toronto International Film Festival has been announced and it looks pretty swank indeed. It includes MM alumna Julia Ducornau’s Titane; Kate Dolan’s You Are Not My Mother; Arsalan Amiri’s Zalava; Jean Luc Herbelot’s Saloum; Rob Savage’s Dashcam; […]
At the Irish Times, Derek Flynn considers genre fiction, particularly crime fiction, and working class experience. “And when I say that the voices of the working class can be heard in genre fiction, I’m not just talking about crime or thriller novels. Take, for example, the much-maligned genre […]
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