every so often I come across something where the twist is so effective that watching it really is a totally different experience when you don’t know where the story goes and I’m glad it was a surprise. I felt that way about the first season of The Good Place, and it’s the same with Shin’ichirô Ueda’s zombie horror-comedy film, One Cut of the Dead. So I’m going to attempt to pull off the neat magic trick of telling you about it without, you know, telling you about it.
At Fantastic Fest this year, I was not only fortunate enough to receive accreditation so I could see movies and report back, but I was also lucky enough to see four very different films that I might not see otherwise. I am back now, my fedora with the […]
A 4K restored version of Mamoru Oshii and Yoshitaka Amano’s Angel’s Egg screens at Fantastic Fest this year and the Gutter’s own Carol Borden was fortunate enough to see it! “I always struggle a bit when writing about masterpieces. And Mamoru Oshii and Yoshitaka Amano, masters already, collaborated […]
The Gutter’s own Carol Borden has some thoughts on Kenichi Ugana’s The Curse (Taiwan / Japan, 2025), now screening at Fantastic Fest 2025! Kenichi Ugana’s The Curse has the punk sensibility—down to its scratchy opening title card that looks like a punk zine cover—the gleeful gore, the dark […]
It’s Fantastic Fest time again and the Gutter’s own Sachin Hingoo and I were lucky enough to receive press accreditation again. We are cub reporters no more.We hang out in the virtual lounge and tip our fedoras at passing fancy people. We write at late hours and at […]
The Gutter’s own Sachin Hingoo–and his pal, Karen Shute–continues to watch films at an astounding pace at the Toronto International Film Festival 2025: Good Boy; Orwell: 2 + 2 = 5; Exit 8; and, The Smashing Machine! We are officially at the halfway mark of TIFF, and boy […]
The Cultural Gutter 