“Inevitably, a list like this can only scratch the surface of an art form unparalleled in its elasticity and capacity for wonder. And yet the sequences included here, listed chronologically, speak as much for the evolution of animation as a medium as they do for themselves. The creators […]
Game writer Rob Heiret talks about writing for the English language version of Animal Crossing: New Horizons and its unexpected appeal during a pandemic. “We were doing our very best, down to details you might not have considered, to make this the most positive, comforting, funny game we […]
Pink Tentacle has a gallery of Gōjin Ishihara’s illustrations for The Illustrated Book of Japanese Monsters (1972).
At Criterion, Steven Ryfle writes about director Ishiro Honda and Godzilla. “Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile […]
In the 1960s, Japan’s venerable Shochiku Studio, struggling to stay relevant amid changing times, threw up its arms and said, “Fine. Whatever!” and rapidly produced four profoundly weird science fiction and horror films: The Living Skeleton, Genocide, The X from Outer Space, and the oddest of all, Goke: Bodysnatcher from Hell.
As a general rule, you can tell me what happens at the end. In fact, if I’m finding a book or tv show stressful, I often flip ahead or look at recaps to find out what happens so I can just relax and enjoy it. That said, every […]
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The Cultural Gutter 