Our friends at the Feminine Critique watch Strange Days! “Fluff up that wig and jack yourself in! Christine and Emily are diving deep into Kathryn Bigelow’s 1995 sci-fi punk (and incredibly hard to find in 2020) murder mystery Strange Days. As usual, thar be spoilers! Also, a batch […]
At TCM’s Movie Morlocks blog, Kimberly Lindbergs writes about 10 horror films directed by women. “I’ve been enjoying a lot of [TCM’s] Trailblazing Women programming myself but since we’re in the middle of Schocktober, I thought I’d set aside some time to highlight some of my favorite horror […]
Ghost Wars: The Secret Wars of the CIA author Steve Coll writes of Zero Dark Thirty: “Zero Dark Thirty was constructed to bring viewers to the edges of their seats, and judging by its critical reception, for many viewers it has succeeded in that respect. Its faults as […]
“Recall that Bigelow wanted to make a movie about the failure to capture bin Laden, before the whole world knew, as she puts it, that he’s dead. Consider that she has still made a movie about a failure, a moral failure, our failure, embedded in a procedural success.” […]
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
Kathryn Bigelow won a best directing Oscar for The Hurt Locker. Time for a retrospective. Here’s the trailer for Near Dark and some clips. Point Break (i.e. Keeanu Reeves best movie). Jamie Lee Curtis in the cop thriller, Blue Steel. The premillennial tension of Strange Days. The Pirelli […]
“A pretty harrowing movie, realistic in an emotional way that most war movies don’t catch” – Joe Haldeman, on The Hurt Locker.