The Gutter’s own Keith writes about Shaitani Dracula at Diabolique. Come for Dracula’s safari wear. Stay for the goose! See also the Gutter’s own Beth’s review of Shaitani Dracula here and a tweetalong in which The Gutter’s Keith, Beth and Carol participated here.
The Gutter’s own Keith Allison writes about Umberto Lenzi’s The Triumph Of Robin Hood for Diabolique magazine. “Following the template of the rollicking Errol Flynn swashbuckler and Hammer Films’ more recent Sword of Sherwood Forest (1960, starring Peter Cushing as the dastardly Sheriff of Nottingham!), The Triumph of […]
The Gutter’s own Keith has a mai tai at Honolulu’s La Mariana Sailing Club. “At first you might think you’ve taken a wrong turn. Somewhere between the H1 and Nimitz Highway, you must have missed something, because here you are, closer to the airport than the beach at […]
The Gutter’s own Keith Allison writes about Mickey Spillane, Mike Hammer and Spillane’s I, The Jury at Cocktails and Capers! “In I, the Jury, Mike Danger became Mike Hammer, a war veteran and ex-cop (like every detective of the era) with a chip on his shoulder and a […]
The Gutter’s own Keith Allison pulls off a caper with Emily Intravia and Christine Makepeace as the Feminine Critique watches The Jewel Robbery (1928) and Danger: Diabolik (1968). “Also on the books: Christine’s hatred of 2018’s Suspiria and Keith’s expertise on some very, very unusual new trivia about […]
At Mezzanotte, the Gutter’s own Keith writes about Orson Welles, the Mercury Theater of the Air’s 1938 broadcast of their radio drama, “War of the Worlds,” and the truth about the “panic” that ensued. “In 1938, when the broadcast returned to the air after the brief station identification, […]
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