Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
The Gutter’s own Carol Borden has a lot to say about Travis Stevens movie blending horror, Surrealism and Greek tragedy, A Wounded Fawn (USA, 2022). “Travis Stevens’A Wounded Fawn is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite […]
Friend of the Gutter Kate Laity reports on “Surrealism Beyond Borders.” “Look: together for the first time since they were last exhibited: Varo’s triptych. And Rahon! And Colqhoun! And Cahun! And Deren — and so much.”
Listen to Surreal Noir at No Bounds Radio hosted by friend of the Gutter Kate Laity. It’s what it says–a mix of discussion of surreal art and noir books and film. This episode includes audio and texts from In a Lonely Place, Leonora Carrington, Ghostdance, Remedios Varo, and […]
At ArtForum, Chloe Wyma writes about artist Leonora Carrington’s Tarot. “Carrington made The High Priestess, one of only two cards to have been dated, in 1955, around the same time she and her friend Remedios Varo were haunting the metaphysical clubs established by the disciples of Russian mystics […]
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The Cultural Gutter 