Michael Moorcock’s latest, and last, fantasy trilogy winds different strands of his fiction together intointertwining, virtually meta-fictional narratives reflecting on mythic and heroic archetypes and the power of stories to create new realities. If you like Moorcock, you will enjoy these books. If you don’t like Moorcock, they […]
Summers in Toronto can be apocalyptic. If it isn’t the plague of aphids infesting our air supply, it’s the flood of crap at the multiplex.
Like the singer/songwriter — a lank-haired warbler in patchouli-stained flannel — the artist/writer in comics is a very peculiar bird. Our logographer resembles a forked tongue, licking in two directions: to the left, where Staedtler crumbs and ink spills lie, and the right, to a boundless thicket of […]
True crime isn’t new. It wasn’t invented by Truman Capote for In Cold Blood, although Capote certainly raised the bar for many crime writers. True crime has evolved from 19th century police procedural nonfiction, popularized in weekly journals like the Police Gazette, and later in crime pulps of […]
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The Cultural Gutter 