I don’t know if the people responsible for this film were trying to make a throwback to the 1970s, but that’s sure how Roop Ki Rani Choron Ka Raja seems to me. That they succeeded is one of the highest cinematic compliments I can give. Plot intricacies, big […]
Chori Mera Kaam (Theft Is My Job, dir. Brij, 1975) is one of those movies that nobody talks about when hailing the masala golden age, but everybody should.
Dharam Veer is a Hindi cinema TARDIS, holding way more bedazzled boots, pirate shirts, Elizabethan doublets, Roman sandals, feisty gypsies, hand guillotines, romantic princes, creepy statues, sworn promises, lost relatives, baby-switching schemes, court politics, sword fights, naval battles, and eye-for-an-eye justice than you imagine could possibly fit inside […]
What if James Bond went to Bombay in the late 1970s and wasn’t so much a secret agent as a stylist and interior designer for a particularly aesthetics-oriented villain? The plot of Shaan has very little to do with any of the Bond films that I can remember. […]
If you’re thinking “Hey, didn’t Cultural Gutter already do a piece on a wackadoodle Indian film about eyes starring the handsome and heroic Dharmendra?” you’re perfectly correct. But thanks to a career of over 300 films, producers apparently ran out of different words to use in the […]
Elaan may be the most fantastic and under-appreciated movie of 1971. It’s exactly the kind of film I live in fear of running out of someday: loony, exuberant, stylish, exciting, and fun. It might not exactly count as an example of standard Hindi cinema mix of action, comedy, […]