At RogerEbert.com, Matt Zoller Seitz remembers the legendary Tony Todd. “Tony Todd was an elegant, six-foot-five, broad shouldered man, graceful and imposing. But he led with his voice. Hear it once, and it would echo in your mind forever. It was magnificent. And he was magnificent.” Read more here.
At Vulture, Matt Zoller Seitz writes about the 1984 premiere of Miami Vice. “Created by writer Anthony Yerkovich, helmed by filmmaker Thomas Carter, and guided by executive producer Michael Mann, Vice was ostensibly a police procedural: Crockett is a deep-cover operative based in Miami who partners with Ricardo […]
At The Vulture, Matt Zoller Seitz interviews Gary Farmer! “Much like Uncle Brownie, the shambling, warmhearted eccentric he played for three seasons on Sterlin Harjo’s Reservation Dogs, Gary Farmer takes the long view of things and rarely turns down the chance to be funny about it. Even when […]
At Vulture, Matt Zoller Seitz interviews Carl Franklin “on how blues and noir shaped One Final Move, and the story behind that final shot. ” Read it here.
Matt Zoller Seitz interviews Genndy Tartakovsky at the Vulture! “Animator Genndy Tartakovsky is one of our greatest living action directors — a student of Sergio Leone, Akira Kurosawa, and George Lucas who creates family-friendly, populist work that can be described as both terrifying and adorable. Take, for example, […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
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The Cultural Gutter 