“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights. There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)
When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” —The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that […]
NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis).
At The Atlantic, Noah Berlatsky writes about the new incarnation of Wonder Woman. “[M]aking Wonder Woman more violent doesn’t make her more mature or more real. It just makes her more conventional.” (via @BlackComix)
George Herriman animated this Krazy Kat cartoon in 1916 and while any time is good to revisit it, Black History Month seems a particularly good one.
Listen to Superman defend Tommy Lee and his family from the Ku Klux Klan in the 1946 Adventures of Superman storyline, “The Clan of the Fiery Cross” at the Internet Archive.