At TCM’s Movie Morlocks blog, Kimberley Lindbergs interviews Marcus Hearn on Hammer Studio’s enduring legacy. “The best of the films have now been critically rehabilitated, but it’s depressing when they’re overlooked or misrepresented as camp or trashy. So I guess I’m on something of a crusade!”
In adapting Tintin, Noah Berlatsky writes, “Spielberg provides spectacular ship-to-ship battles, requisite car chases, and improbable fights between construction cranes. But he left out the thing that made the Indiana Jones films most like the Hergé books. That is, racism.”
Monika Bartyzel writes about “softening and sexualizing Lisbeth Salander” in David Fincher’s adaptation of The Girl with the Dragon Tattoo, the pre-release posters and Stieg Larsson and his novel. “There seems to be a relief that Mara’s Salander is a more relatable person, that classic ‘female’ tropes like […]
Ever wonder why the competent and kickass action ladies always die? TV Tropes examines why “Vasquez Always Dies.”
Matt Shapiro has put together a lovely compilation representing the Cinescape of 2011. (via Peter Gutierrez)
“If there is one recurring image that defines the cinema of Steven Spielberg, it is The Spielberg Face. Eyes open, staring in wordless wonder in a moment where time stands still. But above all, a child-like surrender in the act of watching, both theirs and ours. It’s as […]
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The Cultural Gutter 