The Gutter’s own Carol has some thoughts on Li Xiaofeng’s neo-noir, Back To The Wharf! She has additional thoughts on censorship and Chinese crime films. “Back To The Wharf is one of a wave of Chinese crime dramas in recent years. These films make up for the bloated, […]
I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
The Gutter’s own Carol is reporting back from the Fantasia International Film Festival with a review of Satoshi Miki’s Convenience Story (Japan, 2022): Kato (Narita Ryo) is a screenwriter. You might not have heard of his movies, but he’s reasonably successful. He makes a living, but feels professionally […]
Friend of the Gutter Andrew Nette shares a list of 10 underappreciated neo-noirs at Crime Reads. “while I will happily admit to being a due paying member of the First-half-of-the-1970s-was-a-great-period-of-American-crime-cinema-fan-club, it does strike me that we tend to focus on the same handful of films from this period […]
At Crime Reads, friend of the Gutter Andrew Nette writes about Prime Cut (1972). “Want to talk about one of the strangest, if not the strangest American crime film to emerge in the first half of the 1970s? Then, let’s talk about Michael Ritchie’s neo-noir Prime Cut, as […]
Our friends at The Projection Booth watch David Lynch’s Lost Highway (1997). “We conclude #Noirvember 2021 with a special episode about David Lynch’s Lost Highway (1997). Written by Lynch and Barry Gifford, it’s the story of Fred Madison (Bill Pullman), a musician who has trouble trusting his wife, […]
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The Cultural Gutter 