“The Story of Lee Marvin, Gene Hackman, and Quite Possibly, the Strangest American Crime Film of the 1970s”
At Crime Reads, friend of the Gutter Andrew Nette writes about Prime Cut (1972). “Want to talk about one of the strangest, if not the strangest American crime film to emerge in the first half of the 1970s? Then, let’s talk about Michael Ritchie’s neo-noir Prime Cut, as […]