“Sketches of Satan: How Giles Deacon Created Gwendoline Christie’s Lucifer Look”
Giles Deacon talks about their designs for Gwendoline Christie’s Lucifer in Netflix’s Sandman series. There are also design sketches! See it all here.
Interview with Kim Eun-hee
Screenwriter and producer Kim Eun-hee talks about making The Kingdom, her series about politics and zombies in the Joseon Dynasty. “I like zombie stories and tried to find plenty of shows and movies, but after watching them I would often find the sight of zombies moving in flocks […]
A Choice Between Two Terrible Things
The first article I ever wrote for the Gutter as a guest editor was about a video game from 2005 called The Indigo Prophecy (or Fahrenheit, outside of North America) where you make choices that cause the story to play out in different directions. The first half of […]
“Bhoot, Pari, Stree: Then, Now and the Future of Bollywood Horror”
Friend of the Gutter Aditi Sen writes about horror in Bollywood at The Quint. “For a long time, haunting had a very defined pattern in Hindi cinema. Old mansions, deep woods, ruins, old forts – spooks always occupied spaces away from mainstream life. It was Ram Gopal Varma’s […]
Interview with Simone Missick
The Vulture has an interview with Simone MIssick, Misty Knight on Netflix’s Luke Cage. (There are plot details from Season 2). “The success of Luke Cage breaking Netflix was the reason why we have Black Panther and why we have Black Lightning, Cloak & Dagger, and all of […]
Aggretsuko: Death Metal is the Only Solution
Death metal is often the only solution, even for the cutest and nicest among us. Perhaps, especially for the cutest and nicest among us, like say red pandas–my go-to for the cutest among us*. It is for Retsuko, the red panda protagonist of Aggretsuko. She is an accountant […]
The Cultural Gutter 