At Smithsonian Magazine, Jacquelyne Germaine writes about Yasuke, Japan’s first Black samurai. “Though the Netflix series introduces several mystical elements—including giant flying robots, magical armies and weaponized laser beams—the broad strokes of its depiction of the Honnoji Incident are historically accurate. Yasuke was an African warrior in the […]
Dobaaraa, a Hindi-language film released earlier this year, stands in intriguing contrast to mainstream Indian cinema’s habits, not just in how this compelling remake handles it source material but also just more generally as a contemporary project. It is one of only a handful of Indian adaptations of […]
Giles Deacon talks about their designs for Gwendoline Christie’s Lucifer in Netflix’s Sandman series. There are also design sketches! See it all here.
Screenwriter and producer Kim Eun-hee talks about making The Kingdom, her series about politics and zombies in the Joseon Dynasty. “I like zombie stories and tried to find plenty of shows and movies, but after watching them I would often find the sight of zombies moving in flocks […]
The first article I ever wrote for the Gutter as a guest editor was about a video game from 2005 called The Indigo Prophecy (or Fahrenheit, outside of North America) where you make choices that cause the story to play out in different directions. The first half of […]
Friend of the Gutter Aditi Sen writes about horror in Bollywood at The Quint. “For a long time, haunting had a very defined pattern in Hindi cinema. Old mansions, deep woods, ruins, old forts – spooks always occupied spaces away from mainstream life. It was Ram Gopal Varma’s […]
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The Cultural Gutter 