September 2017. Socorro County, New Mexico — It moved slowly, with a grinding of motors and gears, its focus drifting across a brilliant blue September sky. It took several minutes, and I stood transfixed by something that must, to so many, seem so mundane. When it finally clicked […]
Christine Smallwood writes about Dorothy B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never […]
At Wired, Laura Hudson writes about masculinity and Breaking Bad: “Taken to its furthest extent, this brand of masculinity punishes men for acting like Jesse, and instead produces men like Walt[.]”
At Cinema Junkie, Beth Accomando says good-bye to Breaking Bad: “In the end for me what Breaking Bad delivered was a portrait of America and a distinctly American sense of identity. By tapping into the western genre, the show starts with something quintessentially American. That genre is prone […]
“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from […]
At The LA Review of Books, Sarah Weinman writes about fine, subtle and underappreciated noir writer, Dorothy B. Hughes. “In a Lonely Place…blasted my mind open to new ways of reading. I wasn’t only enjoying the story and getting creeped out by the wholly unreliable narrator, Dix Steele, […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 