Living just outside the gates of hell is a very convenient plot device. It handily solves the narrative challenge of providing a plausibly endless supply of demons and evil beasties for a protagonist to fight, and it’s not like hell ever goes away. Maybe you get lucky and […]
“For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.” […]
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The Cultural Gutter 