In discussing Astron-6’s horror movie, Father’s Day, Dave Pace notes that what seems to make viewers uncomfortable is not the violence but the nudity, the male nudity. “What I don’t understand is the uncomfortable shifting around and the outright revulsion you will hear for the scenes where you […]
“[A]t the age of 41, at about 94 minutes into The Divide,” Drew McWeeny writes, “I reached a breaking point, and I realized that I am pretty much incapable of sitting through one more cheap, pointless, exploitative rape in a movie.”
Grant Morrison notes some things about superheroes, the comics industry, Mark Millar, sexism and rape in an interview with Rolling Stone: “I suddenly think how many times has somebody been raped in an Alan Moore story? And I couldn’t find a single one where someone wasn’t raped except […]
Lady killers get their revenge in this Vaultcast from Vault of Horror interviewing I Spit on Your Grave director Steven Moore and actress Sarah Butler. Vault of Horror also debates misogyny in the film with producer of both the original and the remake, Meir Zarchi. Meanwhile, ladies serve […]
“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps […]
Richie muses on Lady Snowblood in manga and film and a little on Lady Bullseye: “That a samurai revenge film from thirty years ago manages to be significantly less exploitative than anything around now speaks volumes. It is, ironically, an excellent twenty first century samurai movie, which keeps […]
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The Cultural Gutter 