The History of the Eye Close-Up
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)
Stories Are Important
This week SF/F Editor Emeritus James Schellenberg returns as a Guest Star! Stories are important, we all know this. I hasten to add: and they should be fun too, otherwise why bother reading them? Every once in a while, I run across a new author that balances “something […]
The Projection Booth on Planet of the Vampires
The Projection Booth watches Mario Bava’s Planet of the Vampires with Troy Howarth.
“Character and the Audience: The Hyper-Capable Wounded Sparrow”
Debbie Moon ponders the “Hyper-Capable Wounded Sparrow” and Captain America: The Winter Soldier: “The Hyper-Capable Wounded Sparrow is always male, and he’s that guy who can kill a roomful of people without breaking a sweat – but who is massively emotionally vulnerable, has no social support system, and […]
Twilight of the Transformers
“It was the nightmarish, Nietzschean fulfillment of the summer-movie aesthetic, a movie that seemingly had eaten all of pop culture and vomited it back up again as shards of metal. One example: It featured the real Leonard Nimoy as a robot god and also a clip from a […]
An Excerpt from Resistance
Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and […]
The Cultural Gutter 