The Gutter’s own Sachin Hingoo looks at this year’s Midnight Madness line-up at the Toronto International Film Festival! “Coming in hot from Toronto is the lineup for the Toronto International Film Festival’s 2024 Midnight Madness Programme. This lineup, as it does every year, features the hottest talent in […]
At The Ringer, Brooke Knisley looks at a very specific film history: “In the long history of exploitation and horror movies, the fairer sex tends to get a raw deal when it comes to preserving their privates. But, as audiences found out this week, that’s changing with anti-heroines […]
Shout Factory is hosting a crazy number of livestreams on YouTube right now via TokuSHOUTsu! Pick your poison here.
Imagine a woman raised by wolves, a martial artist with white hair caused by ancient herbology rather than age. She is called a demoness or a witch by the righteous, though she punishes the cruel and the wicked ruthlessly. She rides the wind, white hair streaming in all […]
At Asian Movie Pulse, friend of the Gutter Earl Jackson writes about Cheng Wei-hao’s Marry My Dead Body (2023)! “For years lesbian feminist film scholarship entailed archeological detective work, most notably excavating the subtexts of Rebecca (Alfred Hitchcock 1940) and The Haunting (Robert Wise 1963). In peculiar reversal, […]
The Gutter’s own Carol Borden has some thoughts about Hou Hsien-Hsiao’s Millennium Mambo at Monstrous Industry. “Millennium Mambo is very much a film of 2001. The cinematography, the techno, the fashion, the decor, the liminality, the settings, the drugs, the raves, the clubs, the ennui–all very much of […]
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