“Sam Vimes is the best and I refuse to feel bad about liking him”
At The Anarcho-Geek Review, Sadie the Goat ranks fictional detectives by how much guilt she, as an Anarchist, feels for loving them.
Scandal, Melodrama, White Hats and Sharks
Rowan Pope: There is, incidentally, a point. If there are no more white hats, if the deck is always stacked, and if everyone you love is a monster, there is, in fact, someone worth saving. Olivia Pope: Who? Rowan: Everyone! Everyone is worth saving! Even the monsters, even […]
“Watching Downton Abbey with a Historian: Peace For Our Time”
At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about […]
“Graphic, Novel”
Emily Nussbaum writes about Jessica Jones, Buffy the Vampire Slayer and modern times for The New Yorker. “While the fact that Jessica Jones is Marvel’s first TV franchise starring a superpowered woman—and that it was created by a female showrunner, Melissa Rosenberg—amounts to a pretty limited sort of […]
Looking At Opening Credits
Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.
“Navajos on Mars: Native Sci-Fi Film Futures”
‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess […]
The Cultural Gutter 