Number Six will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered, but in the 1970s, he was roughed, laid out, sketched, penciled, inked, scanned and collected. Scans of Jack Kirby’s The Prisoner at the Madness. (TwoMorrows has some analysis).
Cinematical remembers David Carradine: “Even as his resume became filled with more and more television work and direct to video movies during the late 80s and into the 90s, he maintained an edge to the characters he played and, where appropriate, a spirited air of bemusement.”
Oprah’s Book Club had a massive impact on the literary landscape, and I mean that in a good, non-dinosaur-killing way. The huge surge in the trade paperback market owes much to Oprah. I was working for Chapters when it went nova, and the number of times we were […]
This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week James Schellenberg writes about tv. I’m a demanding SOB: I want to be entertained. I want shallow, repetitive, and sheer fun, but I also want a little […]
Ever wonder what Star Wars would look like as Dallas or Airwolf? Probably not, but it’s still worth seeing. (via Adult Swim)
In the final episode of St. Elsewhere, something strange happens. Snow begins to fall around St. Eligius Hospital, and we cut to an image of Dr. Donald Westphall’s autistic son Tommy, a minor character in the series up to this point. He sits, staring at a snow globe, […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 