The Washington Post has a transcript of American Born Chinese and Boxers & Saints creator Gene Luen Yang’s speech at the 2014 National Book Festival Gala. “We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might […]
Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I […]
Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never […]
At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.” “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to […]
Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.
At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and […]
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The Cultural Gutter 