Here are trailers for 6 of the 10 movies at the Toronto International Film Festival’s Midnight Madness program this year: Fubar II; The Vanishing on 7th Street; The Butcher, The Chef and The Swordsman; Red Nights; Fire of Conscience; and Stake Land. (SUPER, Insidious, Bunraku and John Carpenter’s […]
As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native […]
October has an extensive and exquisite analysis of The Fog (1980) and The Fog (2005), ranging from the implications of the changes to the original, some tangents relating to John Carpenter’s other films and “alienation vs. connection.” (via The Horror?!)
It’s that time of year when writers list the year’s best things. This year, some people are listing the decade’s best. And, oh, my temples ache because if there’s someone who manages to read every comic every year for a decade, let alone every comic setting fans a-twitter, […]
“Death is permanent and, in all works of fiction, predetermined. Except in video games, where most of the time it is neither.” At Hit Self-Destruct, Duncan writes about agency, time travel and death.
Richie muses on Lady Snowblood in manga and film and a little on Lady Bullseye: “That a samurai revenge film from thirty years ago manages to be significantly less exploitative than anything around now speaks volumes. It is, ironically, an excellent twenty first century samurai movie, which keeps […]
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The Cultural Gutter 