Theodora Goss’ Big Idea
“[T]here’s almost always a female monster, and she’s almost always destroyed.” More from Theodora Goss on the big idea of her book, The Strange Case of the Alchemist’s Daughter, at Scalzi.com. (Thanks, James!)
“[T]here’s almost always a female monster, and she’s almost always destroyed.” More from Theodora Goss on the big idea of her book, The Strange Case of the Alchemist’s Daughter, at Scalzi.com. (Thanks, James!)
Hyperallergic has an intriguing gallery of Victorian Christmas cards ranging from the charming to the disturbing. (Some are both)
A gallery of photographs of people of African descent from the Victorian era. (Via Kit Marlowe)
At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”
One can receive reliable advice on introductions, cuts and other questions of Victorian etiquette and manners from Etiquette & Espionage authoress, Gail Carriger. “I would urge caution not to rely on characters from Austen as, in her very subtle way, she is often breaking the rules of courtship, […]
Tim Callahan is re-reading and writing about all of Alan Moore’s major comics. From Hell, Moore’s collaboration with Eddie Campbell, is the 26th installment.