The director of the Bolshoi Ballet has acid thrown in his face and The New York Times reports on the vicious underside of the Bolshoi Ballet. “The stories about vengeance at the Bolshoi Ballet go back centuries: The rival who hid an alarm clock in the audience, timed […]
Patricia Hernandez talks about the reasons she doesn’t talk about video game violence much. “They’re recollections of things, sometimes games I know for certain go together somehow, amount to a small piece of some puzzle that’s supposed to help me understand where violence and death fit in my […]
Writers Joe Lansdale and Andrew Vachss have a conversation about their books Edge of Dark Water and That’s How I Roll, the power of books, the importance of libraries and librarians, publishing as a fixed fight and a helluva lot more. Part one and part two.
“It’s very dangerous to believe people – I haven’t for years.” – Miss Marple in Sleeping Murder No matter how you cast it – intellectualized, implied, luridly depicted – murder isn’t nice. CSI upped the ante on graphic visuals of murder victims, spawning a host of procedurals which […]
I remember seeing Hayao Miyazaki’s Spirited Away in the theatre, and I think it holds the record, in my experience, for the fastest time in making a small child cry. I have no idea what movie the child’s parents thought they were taking her to, but I don’t […]
Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.