The Library of America sponsored an even celebrating women in science fiction! It includes this cool panel discussion with Chelsea Quinn Yarbro, Pamela Sargent, Sheree Renée Thomas, and Lisa Yaszek, that you can watch here. An interview with Lisa Yaszek on “the watershed moment” of 1970s feminist science […]
At Vague Visages, D.M. Palmer writes about the influence of world cinema in the 1920s. “the silent works of the 20s brim with invention, pushing forcefully against technological and social boundaries. There is a danger and dynamism to 20s cinema which was gradually eradicated by the standardisation of […]
At the Hudson Review, Tess Lewis writes about translation. “At the risk of appearing to shift the blame for any infelicities or infidelities in my own translations, I’ll go a step further than Emily Apter and maintain that the endeavor to transfer a text from one tongue into […]
At GQ, Jason Diamond writes about Noah Baumbach’s White Noise (2022) and “the unfilmable novel.” “The funny thing about film adaptations of unfilmable novels, though, is how they age: while they tend to meet critical resistance upon release, something interesting happens after that. Often, the movie versions of […]
At the Library of America blog, “[Jonath R. Eller] answered our questions about the enduring critical and popular success of Ray Bradbury’s short fiction and how his short stories gradually moved from such pulp magazines as Weird Tales and Planet Stories to “slick” magazines like Harper’s and The […]
At Vulture, Marya E. Gates writes an excellent piece on Marilyn Monroe’s poetry and what the film, Blonde (2022) overlooks. “In one fragment, she contemplates how we can never really know what others went through in their early years and ‘what they drag with them.’ In another, she […]
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The Cultural Gutter 