Notes
Missing Scenes, Missing Places
“These are more and more not the movies I fell in love with and I wonder
if people watching them ten years from now will even be seeing the same
film I did, or if Greedo will forever be shooting first, if PEKING
OPERA BLUES will end with a long pause instead of title cards telling
us the fate of the main characters and if Tony Leung will drink his
coffee in silence?” Grady Hendrix writes a little elegy for the missing.
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Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
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