Notes
James Sturm on Selling a Cartoon to the New Yorker
James Sturm spent three months dallying with gag cartoons. “I spent no more than an hour with any one cartoon, and many took far less time than that. For the first two weeks I was feeling my oats. I already had a half-dozen keepers and was confident there were plenty more winners on the way. It was at this point that I started dreaming of actually selling a cartoon to The New Yorker.” (via Peter Gutierrez)
Published by Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
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The Cultural Gutter 
Although the story was a little discouraging, I laughed out loud at most of Sturm’s rejected submissions. I don’t ever think I’ve done that while reading a gag in the New Yorker.
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yeah, i quite enjoyed them myself. they kind of reminded me of chas. addams.
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