Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
The Gutter’s own Carol Borden joins Emily Intravia to discuss A Christmas Village (2018) on a Stocking Stuffer episode of the Feminine Critique. “Is it love, or just a head injury? Such are the questions asked on this special visit to A Christmas Village, a 2018 film made […]
I’ve been thinking about what “disreputable art” means in a time when nerds, fans, and geeks have won a kind of cultural hegemony. It was different when the Cultural Gutter was founded in 2003, before Iron Man (2008) launched the Marvel Cinematic Universe, the Force awakened, and the […]
The Gutter’s own Carol writes about Charlotte Colbert’s She Will (2022), a film wherein Alice Krige gives a magnificent performance as a grand dame of cinema who channels the anger of accused witches. Read more here.
Ghoul (2018) is as bleak as might be expected for a series that starts with the line, “Strike a deal with your blood and out of the smokeless fire the ghul will come.” It’s a three episode miniseries that addresses fascism, state terror, and individual guilt in a […]
Swamp Thing first shambled into my heart with Alan Moore, Stephen Bissette and John Totleben’s The Saga of the Swamp Thing #24-64 (DC, 1984-7). At a time when I was reading mostly alternative comics, Swamp Thing brought me back to DC, Vertigo, and, eventually, superhero comics. It’s appropriate […]
I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
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The Cultural Gutter 