Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Every April is Switcheroo Month here at the Gutter as each Editor writes about something outside their usual domain. This week Comics Editor Carol writes about playing games within games in Red Dead Redemption 2. ~~~ “You mean Paradise on one side? Maybe the Inferno on the other […]
“I don’t know what I should have done. I never had to save the world before.” ~ Rita Farr Somewhere in west central Ohio, Black drag diva Maura Lee Karupt (Alan Mingo, Jr.) confronts a man, maybe the Man. He is there to enforce normalcy. He considers anyone […]
There was a time when no woman traveled without a diaphanous, preferably white, nightgown and robe in her luggage. In darkling hours, she might rise from her bed entranced to fling open French doors to dangerous passion and doom. She might flee a mansion after discovering her beloved’s […]
There are many challenges to the suspension of one’s disbelief in the disreputable arts: wonky digital art; rubber suits; foolish decisions; uncertain physics; unlikely biology. But it has seemed improbable that Timothy Dalton’s hotness should ever be an obstacle to the suspension of disbelief. Still, it has happened. […]
Krampus has passed you over and Yule Cat has decided you’re fine. You took Père Fouettard in a fight and Knecht Ruprecht was no match for you. Your feats of strength were peerless at Festivus. You’ve got the 7 Principles of Kwanzaa down. And I am optimistic about […]
Some people like their hardboiled noir fiction in cinematic form. Some people prefer text only please–to enjoy, perhaps the racier metaphors and descriptions in The Maltese Falcon, say, over the screen adaptations. I like both. But what if I told you that you could get noir illustrated in […]