Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Please enjoy this extra-large article in celebration of the spooky season here at the Gutter. It was originally written for a magazine that took longer entries, but things happen. Hopefully it’s like getting a full-sized candy bar from the house with the dad that uses a radio controlled […]
Pull on your good lounging pants, hang that lanyard around your neck, and get yourself a latte, because I was lucky enough to go to this year’s Fantastic Fest with my (remote) press credentials and I am taking you with me. Well, I am taking you with me […]
The Gutter’s own Carol has some thoughts on Kenichi Ugana’s Visitors (The Complete Edition): “When you get right down to it, peering through those milky demonic eyes, passing through the fountains of viscous green vomit, enduring the eye violence, and then running straight into the embrace of chainsaw-bladed […]
Given all the other things I like, it should come as no surprise that the wrestling I love most is disreputable wrestling. Wait, you might say, all wrestling is disreputable. That’s true, but some kinds of wrestling are more disreputable than others among reputable wrestling fans. And it […]
Hundreds of Beavers (USA, 2023) had me from the trailer. I knew I loved it from the moment when I saw a pair of rabbits—played by actors dressed in rabbit mascot suits—turn and look back at the camera. This was cinema, pure cinema. And the trailer didn’t lead […]
“It watches,” he added suddenly. “The house. It watches every move you make.” “We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it […]
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The Cultural Gutter 