Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
There is a multiplicity of Batmans from the grim and gritty Dark Knight currently on film, Adam West’s swinging Batman from the 1960s Batman television show, Frank Miller’s Goddamn Batman, the Batmans of the DC Animated Universe tilted more towards adults and the ones geared for all ages, […]
Sometimes I really want to like something. I really, really do. And it’s not bad and I don’t actively dislike like it. I just don’t like it. I love the film, A Girl Walks Home Alone At Night. It’s one of my favorite films of 2014 and it’s […]
Every October I like to write about something spooky. I’ve written about Frankenstein and Dracula, dead girls and dread, mummies and mutant sea creatures. This year, I thought I’d write about werewolves, but it didn’t work out. I considered Brian Michael Bendis and Marc Andreyko’s Torso, but Eliot […]
It’s time to return to a question I first confronted five years ago in “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.” The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been […]
Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, […]
I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone […]
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The Cultural Gutter 